Here you will find a comprehensive recount of the publications and reviews I have written over the past years. 

Klang Magazine
Postmodernism and Rosalia’s Motomami. Online. 2023


Atonal Festival 2022. Positionen 134. February 2023

Singuhr Projects, Milchhof, Errant Sound, Hilbert Gallery, DAAD Galery, Savvy Contemporary. Positionen 132. August 2022

MaerzMusik 2022. Positionen 132. August 2022

Klangwerkstatt 2021. Positionen 130. February 2022

The shape of Cumbia to come — Neo-Macondismo oder kolumbianische Avantgarde? Positoinen 128 August 2021, 58-67. Berlin

Jazzfest Berlin 2020; Positoinen 127 Mai 2021, 111-2. Berlin


Post Humane Kunst? Impuls Festival Sachsen Anhalt 2022. MusikTexte 176. February 2023, 89. Köln

Cui Bono. Für wen wird hier Programm gemacht? BAM Festival 2022. MusikTexte 173: May 2022, 89. Köln

Klangkunst-Utopien. DYSTOPIE sound art festival 2020: Berlin – Brasilien. MusikText 168: February 2021, 89-90. Köln

Eine Woche Klangkunst. Die erste Gutenberg Sound Art Academy in Mainz. MusikText 164: February 2020, 88-9. Köln

Berliner Festspiele Blog:

Maerz Musik 2021:
What Does Time Politics Sound Like?
What Does Eternity Sound Like?
What Does Real Time Sound Like?

Jazzfest Berlin 2020:
How come radio is not dead yet?
Live from rom New York it's Jazzfest Berlin 2020
Of Outer Spaces. The Jazzfest Berlin goes Digital

Academic Publications and Conference Talks

D’Aleman Arango, N. 2023. “Tropicanibal migrations. Cumbia as a sonic safe space for Latin-American migrant communities?” CTM Research Networking Days 2023. January 29, 2023.

D’Aleman Arango, N.  2022 “The shape of Cumbia to Come, Neo-macondism or Colombian Avant-garde?”  Harvard Graduate Forum 25-26 March 2022. Virtual.

D’Aleman Arango, N, Rahman, S, 2021. Sonifying Flow: Biofeedback and music improvisation. Poster. International Conference of Students of Systematic Musicology, SysMus21.  Nov. 3-5 Aarhus, Denmark.

D’Aleman Arango, N. 2021. “Archiving the Sonic Ephemeral: Towards a classification of sound installation documentations through spatial audio features” In 8th International Conference on Digital Libraries for Musicology (DLfM2021), July 28–30, 2021, Virtual Conference, GA, USA. ACM, New York, NY, USA,

D’Aleman Arango, N. 2021. “Smells like Neon Lights, Tastes like Pigmented Speakers. How does Klangkust actually sound like?” In The Sound of Sound Studies, Annual conference of the AG Auditive Medienkulturen & Sound Studies in the Gesellschaft für Medienwissenschaft. July 8-10, 2021. Leuphana University Lüneburg.

D’Aleman Arango, N, Rahman, S. 2021. “Brain.wav” Concert Performance. International Conference on Auditory Display 2021. June 25-28, Virtual.

D’Aleman Arango, N, Rahman, S. 2021. “iBoS (Input Brain – Output Sound) In the search of the Killer Brain-Controlled Musical Instrument.” Abstract. Poster. International Conference on Auditory Display 2021. June 25-28, Virtual.

D’Aleman Arango, N., von Thienen, J. & von Coler, H. 2020. “The Brainwave Virtual Instrument: Musical improvisation and brainwave sonification via Faust programming”. Proceedings of the 2nd International Faust Conference (IFC-20) Maison des Sciences de l’Homme Paris Nord, France, December 1-2.

D’Aleman Arango, N., Chafe, C. & von Thienen, J. 2020. “Brainwave etudes: Composition and improvisation with brain data”. Presentation.  MIC Conference of Creativity. Bologna, Italy. September 14-16.